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Artist

Ima-Abasi Okon

Ima-Abasi
(Unbounded [sic]-Vibrational [sic] Always [sic]-on-the-Move [sic]) Praising Flesh (An _ExtraaSubjective p,n,e,u,m,a-mode of Being T,o,g,e,t,h,e,r), 2019 by Ima-Abasi Okon

Born in 1981, Ima-Abasi Okon has exhibited in a number of solo and group exhibitions which include: sur— [infinite Slippage: production of the r ~e ~a ~l as an intensive  magnitude starting at zero-eight] —plus, Void, Derry - Londonderry (2020); Technical - Adjacent, Turf Projects, London, UK, (2020); Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Handclaps of M’s Hard’Loved’Flesh [I’M irreducibly undone because] —Leanage-Complex-Dub, Chisenhale Gallery, London (2019); Parables for the BLAZER: Mahalia’s EXCISTENCEandEXISTENTS-HyPE fragrant stacking balm (306.HAL), Plaza Plaza, London (2018).

She is a recipient of a Turner Bursary; a Henry Moore Foundation Artist Award; the Artist Foundation Award (2020) and the Nigel Greenwood Research Prize (2018). She has completed residencies at; Rijksakdemie van Beeldende Kunsten, Netherlands (2021); Hospitalfield (2018) Villa Lena (2017) and Supercollider (2015).

Ima-Abasi Okon lives and works between London and Amsterdam.